2009 was kind of a bumper year for me. At the very end of 2008 I switched jobs and wound up (finally) in my dream job (woot). I finished my first novel mid 2009 and successfully completely NaNoWriMo for the second year in a row. Overall, I was feeling very accomplished-- very much like everything was on track for 2010 to be the best year of all.
And then... editing struck. My first novel had some really lovely concepts and ideas-- but the book I’d written and the book I started out writing were two very different stories. Stories that would need comprehensive months of editing to merge into one readable draft. Our writing group began to set deadlines and make up schedules to swap around our stories... At the time I was completely in denial about the amount of work it would take to produce a draft I felt vaguely confident in showing to other people (even my most trusted readers). So, when the first deadline came up, I had to admit I had failed. I was unable to send out a draft-- but I still had a draft to read from my friend. So, I was now editing a rough manuscript and reading a friend’s draft. Then, the next deadline came along and I was again still working on my novel, editing my friend’s draft and then editing a second draft. Everything had snowballed quite quickly and I was buried.
For a few weeks I felt completely overwhelmed and defeated. I made no progress on any fronts-- not my own work or my friends. I hadn’t just let myself down but now I was letting down my group. I was more upset to see my group let down, if I’m honest.
Then, I began to regroup. My first novel had to be broken before I would be able to see any real progress. I had to get through they very shaky beginning (and the eight new scenes I had to write to tie the two stories together). So, I spoke to my first friend and she agreed it was more important to get my story moving. Two weeks of just concentrating on my book meant I was able to ‘break the back’ of the whole mess. I was able to set a goal for editing my novel and working on hers again. Just taking a tiny bit more time meant I was able to get everything back on track.
Here is the big lesson I’ve learned-- when you work as a group you have to do what works best for the group, but you have to remember what works best for you. I am not great with deadlines. I usually have to set one, then push it back a few times. And as I’m not a professional writer and I’m doing everything in my ‘spare’ time this is fine. If this was my ‘day job’ then I’d just have to embrace deadlines and make them happen (I do just that very successfully in my day job). I work well with small weekly goals. A tiny checklist of things I need to do to move my work forwards. A huge looming deadline doesn’t generally work for me. Maybe it’s my ADHD-- but something so big tends to boggle my brain. It makes me only see the big end result and not the small obtainable steps I need to break everything down into to get there. Now, I’ve got the quiet confidence I was lacking to admit when what I’m working on needs more time. It’s not a race, and while I’m still working on my first novel I’ve finished editing my friend’s first novel and am about two third’s of the way through my second friend’s. I am able to get their stories back to them so that I am no longer letting them down as well. Which is beyond important to me. My work can wait-- but making sure my group is getting the support they need really matters to me. I really don’t mind being behind-- because at least being ‘behind’ I’m making progress. Before, when I was in denial and trying to struggle to stay on schedule, I was just spinning my wheels.
I will never again have the freedom I did in 2008 to just write one project. Going forward I will always be writing something and editing something (maybe not at the same time-- but they will definitely overlap). So, rather than look at 2010 as a series of failures-- or missed goals, I am looking at it as a chance to learn a new skill base. A new way of working on multiple projects that ends in good results.
Looking for a reason for all of this madness? I believe this says it all: I suspect sea monsters!!!
Monday, May 24, 2010
Thursday, May 13, 2010
16th President and Vampire Hunter...?
So, I finished up with Sense, Sensibility, and Seamonsters, a rather fast and enjoyable read and, still madly in love with his prior novel Pride and Prejudice and Zombies, decided to pick up Seth Grahame-Smith's Abraham Lincoln, Vampire Hunter. And while I know that this behavior is *PROCRASTINATION* (yes, all in caps), I (pardon the pun) devoured it.
Yes. This book was that good. It's got such an engaging tone that I would read this even if there weren't vampires. And without the vampires, Old Abe's life is a string of sad circumstances followed by periods of shouldering the burdens of the young nation.
But, where this book really diverges from a normal history -- other than, of course, the vampires -- is that the writing style injects such life into the telling of it. I think this is more along the lines of why I love this book. Because even with the wry humor of our 16th president and the vampires, it's still a very sad story about a man who lost so much and shouldered so much and died for his belief in freedom. The same story we've all heard over many, many years, dusted with chalk, punctuated with the period bell.
I've always heard in those history classes that Abraham Lincoln had a sense of humor. Reading this book, I could actually see that sly wink.
Sunday, May 9, 2010
Epic Mother's Day Fail
Which, unfortunately, after about a month of work is still 5 feet 2 inches shy of the finished length.
I ended up buying presents for Mom and then missed my opportunity to get them into the mail.
Sorry, Mom!
I can't win for losing.
Sunday, May 2, 2010
Poking a Jellyfish with a Stick... And Hoping not to Get Stung
It seems I'm having a few problems this week getting the process going. I'm currently editing two stories concurrently (try saying that three times fast....), mostly because I figure that when I hit a roadblock on one, I can do something with the other.
This is, of course not always the case, but it does seem to be working for now.
The problem is that I'm finding myself leaning more towards the one that reads more easily than the other that needs more work. The one that needs more work needs almost a full re-write. The story just doesn't work as is. The characters are flat, the story comes to it's conclusion far too quickly, and like Pandora's Box, having unlocked the endgame, it's proving hard to stuff the crap back in there to make the darn thing work. The easy one, I'm finding I'm just skimming along. Occasionally, I hit some little thing, make a note about it and move on. Easy as pie. I can almost see the end from here (although I know I'll be telling myself to "work on this").
I just end up feeling guilty because, like last week, I spend the larger part of my time reading the good one -- ten, twenty pages at a time --, while I'm doing maybe a page a week for rewrites of the other. But, at the same time, it's hard for me to balance that out more. I just don't know, right now, how to fix the story that needs work.
Ugh. Well, I'll take the blessings with the burdens. Hopefully, by the time I've sorted the edits on the easier story, I can come back to the harder one with renewed purpose.
But, does anyone have any advice?
Butt-in-chair method has gotten all of the stories I've written thus far (4!) together, and while editing is always slow, I've been pretty fortunate that the one that's got me stumped has been the only one with the problems I'm having. Along with everything else -- shaky plot, faded characters, hard-to-work with character with perhaps too unique a problem for my writing ability -- I'm also having Pre-mature Ending Syndrome. I feel like I've stumbled over this ending and found "Surprise! You've got nothing else here!"
And it's got me scratching my head, looking at a re-write. Maybe the sea monsters came in over night and stole the rest of the book. Things go missing, perhaps it was the kelpie. Who knows?
So, come on people. The floor is yours. What should I do? Keep on keeping on with the one that works and set this aside? Or should I set aside the easy path? Is there a real compromise between the two that can be had? I'd appreciate any and all feedback.
This is, of course not always the case, but it does seem to be working for now.
The problem is that I'm finding myself leaning more towards the one that reads more easily than the other that needs more work. The one that needs more work needs almost a full re-write. The story just doesn't work as is. The characters are flat, the story comes to it's conclusion far too quickly, and like Pandora's Box, having unlocked the endgame, it's proving hard to stuff the crap back in there to make the darn thing work. The easy one, I'm finding I'm just skimming along. Occasionally, I hit some little thing, make a note about it and move on. Easy as pie. I can almost see the end from here (although I know I'll be telling myself to "work on this").
I just end up feeling guilty because, like last week, I spend the larger part of my time reading the good one -- ten, twenty pages at a time --, while I'm doing maybe a page a week for rewrites of the other. But, at the same time, it's hard for me to balance that out more. I just don't know, right now, how to fix the story that needs work.
Ugh. Well, I'll take the blessings with the burdens. Hopefully, by the time I've sorted the edits on the easier story, I can come back to the harder one with renewed purpose.
But, does anyone have any advice?
Butt-in-chair method has gotten all of the stories I've written thus far (4!) together, and while editing is always slow, I've been pretty fortunate that the one that's got me stumped has been the only one with the problems I'm having. Along with everything else -- shaky plot, faded characters, hard-to-work with character with perhaps too unique a problem for my writing ability -- I'm also having Pre-mature Ending Syndrome. I feel like I've stumbled over this ending and found "Surprise! You've got nothing else here!"
And it's got me scratching my head, looking at a re-write. Maybe the sea monsters came in over night and stole the rest of the book. Things go missing, perhaps it was the kelpie. Who knows?
So, come on people. The floor is yours. What should I do? Keep on keeping on with the one that works and set this aside? Or should I set aside the easy path? Is there a real compromise between the two that can be had? I'd appreciate any and all feedback.
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